TEACHING AND SUPERVISION

Bettina's approach to curriculum design centres on equity, critical reflection and evidence-informed iteration. Her subject development work is grounded in the belief that practical production skill should serve as an avenue to expand students' capacity to think critically about the tools, processes and creative decisions they engage with, rather than being an end in itself. This is evident in her development of Exploring Media Arts, recognised nationally with the 2025 ASPERA Screen Production Teaching Award for pedagogical innovations addressing equity barriers in screen production education, and in her 2026 design and delivery of Creative Production: Sound and Moving Image, a new cross-disciplinary first-year core subject built to bring together students from three distinct production disciplines within a shared creative framework.

Bettina treats subject delivery as an ongoing, evidence-based design process. Her practice includes systematic use of early and end-of-session student feedback, moderated assessment processes, and formal subject review documentation to identify structural drivers of student experience and to propose concrete, resourced improvements for future iterations. She holds Fellowship of the Higher Education Academy (FHEA) and currently serves as Responsible Academic Officer for Academic Integrity, bringing particular attention to assessment design that supports genuine learning and authentic engagement over compliance-based verification.

TEACHING & SUPERVISION

  • GRADUATE EXAMINATION
    Serafimovska, Eva
    5 Dec 2025
    External examiner
  • RESEARCH-BASED DEGREE SUPERVISION
    How Do You Make a True Crime Documentary Without Assaulting the Victim?
    29 Aug 2025
    Joint supervisor
  • RESEARCH-BASED DEGREE SUPERVISION
    The Encoded Other: Black Presence in Experimental Media Art
    1 Jul 2025
    Joint supervisor
  • RESEARCH-BASED DEGREE SUPERVISION
    Exploring Spatial Audio's Impact on Narrative Experience in VR Documentaries
    17 Apr 2025
    Lead supervisor
  • GRADUATE EXAMINATION
    Jack, Newton
    2 Jan 2025
    University examiner
  • RESEARCH-BASED DEGREE SUPERVISION
    Fairy Dust, Floating Fists and Graphic Choreographies: Abstract Animation�s Impact upon Modern Screen Language
    4 Sep 2024
    Joint supervisor
  • RESEARCH-BASED DEGREE SUPERVISION
    UNQUIET� - Unmasking Autistic Women in Film Through Autistic-Led Screen Production Research
    22 Mar 2024
    Lead supervisor
  • RESEARCH-BASED DEGREE SUPERVISION
    Languages of listening
    3 Feb 2023
    Lead supervisor
  • GRADUATE EXAMINATION
    Li, Cassandra
    4 Jan 2023
    University examiner
  • GRADUATE EXAMINATION
    Wong, Vanessa
    21 Dec 2022
    External examiner
  • GRADUATE EXAMINATION
    Aghazarmian, Sarah
    19 Dec 2022
    External examiner
  • RESEARCH-BASED DEGREE SUPERVISION
    Refractive Practice: Scuba Diving and Ontological Transformations in the Subterranean Water of Cenotes
    30 Nov 2022
    Lead supervisor
  • RESEARCH-BASED DEGREE SUPERVISION
    The rise of the impact producer as a contemporary crew role
    5 Sep 2022
    Lead supervisor
  • COURSE TAUGHT
    3 Aug 2022 - 27 Oct 2024
    52654
  • GRADUATE EXAMINATION
    Hunter, Vivien
    27 Apr 2022
    University examiner
  • COURSE DEVELOPED
    Exploring Media Arts
    24 Feb 2022
  • COURSE TAUGHT
    Exploring Media Arts
    24 Feb 2022 - 24 Jun 2025
    52651
  • GRADUATE EXAMINATION
    Glass, Nicholas
    22 Oct 2021
    University examiner
  • GRADUATE EXAMINATION
    Beckley, Tyler
    19 Dec 2019
    External examiner
  • GRADUATE EXAMINATION
    Roy, Radessa
    20 Nov 2019
    External examiner
  • COURSE TAUGHT
    Experiential Media (Media as Experience)
    26 Jul 2019 - 15 Nov 2024
    57236
  • RESEARCH-BASED DEGREE SUPERVISION
    Sonic Dramaturgy in Post-Radiophonic Art
    18 Jul 2019
    Lead supervisor